The girl who likes an opera and the sewing that the chief character lives in the town with the opera house. In the school, the chief character of the school third grader joins the drama club of the school going from just a thing, and meet members who are individual during the days of the trivial routine duties that waited for there, and experience various events; ‥ ‥. After the opera graduated from a school; four years later is the stage. Via an outfitting school, the chief character who has begun to work in clothes part of the long-cherished opera company meets ex-classmates and childhood friend again; again including interchange ‥ ‥.
Character
Hayasaka azalea (too possible )※ name conversion with the reverse
A chief character. Shy character. By a hobby, the clothes are quiet, and sewing is practical. Wear the circle glasses which have poor eyesight, and are thick, but a, in fact, considerable beautiful girl. The person has an inferiority complex as a woman without being conscious. It brushes a mosquito to have come to have weak point awareness for a figure, love, and との quarrel is greatly related.
I work for the clothes part about the work of the stagehand of the opera company in the opera.
The childhood friend of the chief character. I receive the special education of the piano since I was young and move to the foreign countries. A certain thing is quarrelling with the chief character in an opportunity. I return home in response to the request of the musical piece offer as a pianist in the opera from the opera company. Setting is big in school and opera and is different character.
The deputy director of drama club at school. An owner of the black character to let a chief character work as a junior in people with a stinging tongue. Father is a director, and there is an edge in the opera company. I play an active part in the opera as a young director and meet a chief character again to deal with the direction of the Stella opera company.
The director of drama club at school. It is the son of the famous Kabuki actor, but there is the place slipping off in a reason a little from the world. I am weak in the study. It is a childhood friend with トウワ. I play an active part in the opera as a young Kabuki actor.
A member of drama club. Modest, shy character. I often do a writing during club activities on the desk of the mandarin orange box. The house is rich. I play an active part in the opera as a novelist and appear before a chief character as a scriptwriter of the opera company by a request of トウワ.
A member of drama club which goes in the night school of the school while working part-time in the daytime in a stage setting department of the theatrical company. I am usually active by weather, but, in fact, am the owner of the thought that is an adult most. I find a job in the stage setting department of the theatrical company which worked part-time in the opera. A chief character is the same colleague. A strong person considerable in the quota of the small-sized build.
The male part played by a woman member of the Stella opera company where a chief character longs for. I become the fourth person male impersonator of the group of God in the opera.
(the character that the above is targeted for the capture)
A newly written telephone card (bell castle カナデ): Medialand privilege
Drama CD, mini-drama "a charge!visit plan of the disturbance!" (bell castle カナデ / night calm トウワ / Seiichiro Azuma / Kusakabe Hull / Yuki / 淳 Hikari): Beautiful bud official HP privilege
A collection of system voices: Beautiful bud official HP reservation privilege
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The work which has the setting that the loop thing is a subgenre of the SF about the time travel, and repeats a period same a character in a story many times [1]. Kind of so-called "time thing." It is one of the types of the old story [2], but it is [3], Japanese geek culture [4] and setting to appear quite frequently with [5] of ジュブナイル, and there are many things that it becomes the aim of the story to escape by some kind of methods from time repeated semipermanently [6].
Table of contents
Summary
It is the hit product that novel "replay" (1987 announcement) of Ken Grimwood is global as for being sent back to oneself past, and the story of the type challenging again having established the life as one subgenre, and after that [2] the works of the plot to resemble it in appear in the work of each country including Japan before "a replay" [2]. The idea to come back in the past of one's life although a multiple loop is not performed, and to do simulated experience in the different world is already seen in the open American film "splendid 哉, life!" in 1946 [7], and the setting that continues repeating a fixed period of time for novel "hiccups" of Yasutaka Tsutsui of the announcement ten minutes and the world of the thing having a short it a loop period in 1965 is done [8]. In addition, as for Fujiko, F, Fujio, comics subject in itself of 1991 "to become younger, and to do the life again" in the beginning of "the memory of the future" lets a character point out what was used out since "Faust" that Goethe announced in the 19th century. As a concept of the abstract time comes to be conscious of as the concept that I can measure before the modern times by the spread of mechanical clocks and the bulletin of the TV program, Michiaki Asaba of the commentator considers the developmental process of "the loop thing" when an element at time is tied to the type of the story that there was from it past and might occur [9].
Because every one's body will move to the past world by the jump at the time to the past in a general time travel work that is the physical time travel, I may meet with oneself past [10]. For example, just like movie "Back to the Future," there are many works that the thyme paradox by it is treated as one of the themes of the work. On the other hand, paradox (paradox of the parricide) will not occur in the time with the past modification without having the encounter with oneself with (or the whole world returns at the point in time with the past) that one's consciousness comes back to oneself past like "a replay" and the set work (if think from the viewpoint of the person jumping at time) [11]; [note 1]. With the point called (a past will reach it at the present by progress at normal time) which the jump occurs as another difference at the time from the present to the past, but does not occur as for the jump at time from the past to the present [13].
As a story of the types that is different from the loop thing in the meaning to repeat going back without physical movement at the one way-like time to the past closely, but is going to let the reality that repeat that let is past, and consciousness go back, and modify the history, and oneself expects settle with a movie "butterfly effect" and a drama "proposal size strategy" [14]. In addition, consciousness does not move to oneself past one-sidedly, and I am set when I move temporarily in the future, and there is (novel "flash-forward"), too [15].
It is the top saying that I operate it confirming "order of judgments [note 2] of the third party" to replace accident (the sense that might be endekomenon. others Luo) with inevitability (like that, impossible sense) to tell the end for repetition, and Masayuki Osawa of the sociologist states that the fact that the work of the loop thing is produced in large quantities, and is liked touches an end in the modern society that I may suggest withdrawal of learning difficulty that is "the order of judgments of the third party" [23].
The work of the loop thing has a work and the affinity of the group called the セカイ system. Expression of the self-consciousness of the non-independent chief character is repeated with the セカイ system in the work group which produced animated cartoon "Neon Genesis Evangelion" [note 3] of 1995 in a wide area mainly on the geek culture as an opportunity and has characteristic that the relationship (close view) of a chief character and the heroine is connected directly with a just global large problem (background) and is described. Because keys of the escape from a loop are set when it is only a chief character that the personal relationship such as the love feelings of a chief character and the heroine is often set, and it agrees with セカイ pro-structure (direct connection of a close view and the background) and that the world often notices what a loop does [note 4], for a reason (the reason why or a loop thing is discussed as セカイ system) why loop structure is often introduced into in a work of セカイ origin, they include that expression of feelings, the self-consciousness becomes intense necessarily with the work of the loop thing [27]. I can compare セカイ when I describe it in a loop thing on a scenario side when I describe the world that lost a reality sense in as to system if pro-it [28].
When the 2000s begins, works with the loop structure come to appear in the field of light Novell and beautiful girl game while being affected by the セカイ system [16]. Not only loop structure was introduced as a gadget of the simple SF in such a work, but also Hiroki Azuma pointed out that it had the aspect that was メタフィクショナル as "the metaphor of the game" and lectured on it as "realism of playing a game" (being conscious of "realism [note 5] of naturalism realism / comics, animated cartoon" which Hideshi Otsuka of a writer, the commentator showed). The player operates the chief character (or an own plane) in the game by the action gameshooting games in a TV game in particular and checks it again if I am defeated by an enemy and am caught on a trap and make mistake (resettable death), and there is the powerful charm advancing to after the trial and error earlier little by little [note 6], but setting "to aim at the escape from a loop while repeating failure" (death) similar to such an idea is often taken in in the work of the loop thing in the 0s (other than later "All You Need Is Kill" "Higurashi When They Cry" animated movie "time running girl" [30]). In this background, one in the origin of light Novell includes that there is the thing which Nobe rise made the replay of the round-table discussion RPG [31]. Saying that it is a problem of the realism of comics, the animated cartoon how Hideshi Otsuka describes "(cannot reset it) real death" in the comic expression that is only the accumulation of the sign (and in response to comics sign opinion" of Osamu Tezuka); such as the game that evaluated a novel low (assuming the resettable death), but an idea of the realism of playing a game to introduce the viewpoint of the player who can experience plural life to describe life once-related according to Hiroki Azuma into lays an effect [32]. Nozomi Omori of the commentator states the discussion of the realism of playing a game that it is applicable about the Japanese full-scale mystery not only light Novell, beautiful girl game [33].
On the other hand, the plot escaping to repetition is only transformation of 仙境淹流譚 which there is like "Taro Urashima" for a long time, and Michiaki Asaba of the commentator points out that the type of the loop thing is seen in works of all ages and countries widely while taking up above-mentioned east, Osawa, the analysis by Uno and others critically, and they see the fashion of the loop thing in such Japan particularly and do it, and geek culture and the discussion to tie speak a skeptical opinion whether only shows narrowness of the judgment of debaters who are apt to let you conclude a discussion only in one's specialized field [34].
Type of the loop thing
The loop thing has some taxonomy [35], but Michiaki Asaba classifies loop things in following four kinds as taxonomy to compare it with other genres not to remain in a loop thing for [36]. As for this, the empathetic target character (chief character) of the guard catches a loop of the time how and acts and is the classification by the point of view what kind of form brings action such as the cancellation of sufficiency and the uneasiness of the desire in to a guard [37]. Interpretation may change whether a changing case and guard take the viewpoint of which character and read a work, and a character unties these states according to the progress of the story by this classification [38].
A chief character catches a loop negatively and draws a figure performing hardship
The chief character is left behind in unreasonable form before closed time and takes reset effort and accumulation with pain and tastes despair and the fear for not pushing it forward earlier [39].
A chief character catches a loop positively and draws a figure growing up
The chief character takes time of the given infinity as moratorium having a long it and repeats success and failure in time to do a loop and grows up while getting an opportunity reflecting on myself in oneself and is going to accomplish self-realization [40]. The chief character who suffered from the unreasonable situation is often didactic contents to escape from a loop after reform and mental growth at first [41], but there is the work of the pattern to perish without being able to grow up in contrast with this [42].
A chief character uses a loop for the solution to specific problem
The chief character holds concrete and simple aim and regret (single issue) that must be settled in a loop and repeats game-like trial and error in the repeated situation and performs training for solution [43]. A basic problem becoming the ringleader of the loop is solved by a chief character, and a loop is finished because a character causing a loop voluntarily achieves a purpose [43].
Refreshment when they solved feeling of stagnation and it which cannot solve a problem in repeated time is described in such a work [44], and the negative situation and the positive motive become one and indivisible [45].
A chief character enjoys loop situation itself to do
It is done a loop, and the chief character takes it affirmatively, and the time that is the supreme bliss of the bright life enjoys it [46]. The loop of this case is purpose itself not the means of the solution to the problem [47]. The pattern that love feelings are related to is frequent in a cause and an escape method repeating a loop [48].
Example of the work of the loop thing
Of the loop or the works which are mentioned saying that I have loop structure include the following.
A British short story by H, Gideon Welles announced in 1898. Although the man who acquired supernatural power that the wish that I spoke of comes true in anything wakes up a miracle by the ability in sequence, I have the catastrophe that did not thereby intend and become out of control. The man loses it until the memory that caused a catastrophe by a miracle although I rewind time until just before that that oneself wears a miracle. It is an ending to let what is repeated have a foreboding, and the loop to rewind time when a man repeats a mistake again last because a scene returns to the beginning of the story raises its Michiaki Asaba as a work example of the oldest loop thing as far as oneself hits on this novel [49].
An SF novel of the United States of America by Ken Grimwood published in 1987. Setting to come back in the past with keeping memory whenever the middle-aged man of the chief character reaches death, and to do the life again. It is described as the story that the chief character who catches a loop affirmatively generally, and enjoyed the life gets mental realization from [51]. Time returns at first until school days, but time shortens in a process to repeat a loop many times and gets narrow with a share, a second at time on a day at the interval when a story approaches the end game. In addition, the person who continues a loop with keeping memory as well as a chief character in a product appears and shares time to do a loop, but the period of the loop is setting to be different every person.
2014年にはアメリカ合衆国で『オール・ユー・ニード・イズ・キル』[25]（英題『Edge of Tomorrow』）として実写映画化された。映画ではトム・クルーズが演じる主人公をはじめとする登場人物の設定や物語の舞台、ストーリーなどが変更されているが、作品の根幹となるループの設定は守られている[64]。
In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.
