In this item, I arrive on the street of Kyoto-shi and explain it. When I arrive on the street of Nara-shi, "according to Article 3," please see "an authority of Article 3" (vagueness evasion) about other uses.
Article 3 Ohashi
The neighborhood of intersection with the authority of state - Sakaimachi of the Kyoto city center
The neighborhood of Keifuku Electric Railroad (storm train) - Yamanochi Station to run over combination orbit
One of the East-West streets Kyoto-shi, Kyoto is important as for the authority of Article 3 (さんじょうどおり [1]).
Of former National highway No. 1 becoming the Kyoto way 143 four ノ shrine four mound line in Yamashina-ku as for the old road and the present of Tokaido both called the authority of Article 3 (the one of the old road of Tokaido is often said to be an authority of old Article 3). Both join on the Yamashina-ku side of the Hinooka mountain pass and I separate again in the immediate west of Keage and join it near an authority of Furukawacho again and cross the Kamo River in Article 3 Ohashi. The part which extended as Osamu Tokai is called the Article 3 highway around Yamashina-ku. The Article 3 highway puts Otsu Highway from the Fushimi hotel area together in mustache teahouse Oiwake of the neighborhood of Kyoto (Yamashiro country), prefectures (country) boundary of Shiga (Oomi country) at the east end of Yamashina Basin and knows Otsu hotel.
Walking-smoking is a prohibition area an authority of Karasuma from Article 3 Ohashi Higashizume.
Streetcar
Because it was main street, the widening in the city area was limited from the early days of the Meiji, but I was widened as a main main line in the east and the west suburbs, and a streetcar was laid.
In the west, the combination railroad track of the storm train (らんでん, Keifuku Electric RailroadArashiyama Main Line) is laid between the wards from an authority of Nishioji to an authority of Kazurano main thoroughfare.
I may practice early in the morning at Mizuki Noguchi -3 article society mall [2].
Footnote
The name of the street in ^Kyoto-shi becomes "通" and does not send "ri". I adopt notation to send as "a street" with the road sign as an exception, but the thing to send with a print document is extremely rare. Cf. street # notation in Kyoto-shi
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The name of the authority of middle street hawker comes from that there were many street hawkers who do not hold a store in the roadside, but I am called Ogicho alley (おおぎまちこうじ) in the days of Heiankyo and still leave the name as an original parent elementary school (せいしんしょうがっこう).
The authority of middle street hawker was the way which bound 聚楽第 where Imperial Court and Hideyoshi Toyotomi who lived of the Emperor lived in together straight in the Azuchimomoyama era, and 聚楽第行幸 of the Emperor Goyozei of the twice in January was performed through an authority of middle street hawker (Tensho era 20 years) (Tensho era 16 years) in April and 1592 in 1588. [The source required]
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In the Chinese Japanese first, I was naturalized in Japan after a visit to Japan, and the Japanese name was called Kenmin Azuma (あずまけんみん). Kennichi Chin of the son, Chen-based Taro of the grandchild are cooks, too.
Table of contents
Origin, person
A question is presented by the accuracy of this knob. You show a reliable source of information in the trouble spot, and please cooperate with the improvement of the article. Please refer to a notebook for the discussion. (February, 2010)
The former domicile is Sichuan wealth order prefecture. I studied a dish as Sueko of ten brothers of the farmhouse in birth [1], Kyoto river Chinese restaurant of the ground in ministry Yibin City.
I visited Japan by tourist visa with 黄昌泉 in (1952) in 1952, and similarly it became the freeloader (freeloader) of 陳海倫 (it is said that I did a high-quality hostess in Shanghai in prewar days) from Sichuan, and it was a freeloader of Seiichi Miyata of Marumi and the fruit shop next. It is a relationship to have offered a banquet dish to Katsuzo Okumura of the foreign affairs vice-minister by a request of 陳海倫 (1953) in spring in 1953 and begins out-of-store sales (business trip dish) in Ministry of Foreign Affairs.
I give haute cuisine in "east sentence basis garden" (a popular name "guest house") and hold a party and marry Yoko of the Japanese wife. (1956), Kenichi (later known as the Fuji TV "strong man of the dish") of the eldest son were born in 1956.
龍智議 from (1958), Taiwan opens Sichuan Chinese restaurant in Shimbashi Tamuracho in 1958, and the-based people enter the kitchen, too. -based people opened a store later to Roppongi, Akasaka.
The-based people were originally good at Imperial Court dish, but I also offer the popular dish after a Japanese (preference and kitchen circumstances at the time) lets you look good appropriately, and the dish except Sichuan added arrangement, and it is reputation.
Besides Sichuan Chinese restaurant management, I appeared for the cooking programs such as "today's dishes" of NHK. I show recipes such as pan meat, 担担麺 and the Japanese-style bean-curd soup seasoned with red pepper (soy sauce, pepper the base of the seasoning) in chili sauce, the time of the prawns which devised 乾焼蝦仁 for a hint and attract attention with unique language (like Kyowa word).
It was the thing which the world of Chinese food steeled a glance while working for a disciple of Buddha system, and learned it (偸精学芸), but the exhibition of the recipe was ready, and the-based people established Ebisu Chinese food academy with a volunteer in (1966) in 1966 and greatly contributed to the spread of Chinese food originally. I won an excellence skill list prize (modern master craftsman) in (1987) in 1987.
I performed the arrangement that I put together in Japanese taste such as "the lie that there was some my Chinese food lie, and but it said, and was delicious a lie" and the above positively. It is said to "bean-curd soup seasoned with red pepper that pig ground meat and recipe called a long leek"-based people began it in Japan "tomato catchup for "ramen 風担担麺" (general juice なしが in China) "to put cabbage in pan meat in a time" becoming natural seasoning of the prawns chili sauce" in current Japan. This arrangement serves Chinese food in today's Japan and will show a great effect for the spread of Sichuan dishes. In addition, in mainland China, such a dish is founded now.
When I made a steamed bun with "today's dish", it was asked Kumiko Hirose of the assistant with "is this for how many?" and answered it "it was big, a lot". In addition, I spoke a reason to perform hand molding into of materials, "soup stock goes out of five chopsticks" (= finger).
According to the story of Kennichi Chin, there is a marriage career of life 3 degrees. It is said, "you do not need to work" in capitalists, and the first marriage partner was going to gain on cultivation of the opium without knowing it when prohibited, but I fail, and I will be chased by the authorities. When I ran the restaurant in friends in Hong Kong, and the second partner got on track. However, I am disgusted with the trouble between the friends of the profitable reason, and deny a shop and cross it to 黄昌泉 and Japan of the Rev. dim sum of the friend. And you were bound together with Yoko who became the companion of the life by the third marriage, but "the half pay was a thing of the wives of Hong Kong, and still would you get married even if a wife was in me, Hong Kong, and the proposal of-based people got married with you?". However, Yoko thinks, "it is a honest person", and it is said that I got married. Actually, Kenichi calls the wife of-based people in Hong Kong "mom of Hong Kong" and learns how to make fried rice, and it is said that I went together as a family beyond the borders.
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I am from Kyoto-shi. Harumi lets you learn Japanese dance and ballet since 5 years old, and mother of the entertainment enthusiast begins to teach mother oneself naniwabushi recitation and a folk song from 6-year-old June 6. According to the story of the principal of the capital girls' high school at the time, I said, "I become a singer!" suddenly and seemed to leave school in midcourse. A lot of similar youths thought it to be only one of those, but made a big success in those days. Only a song sings from attendance at school those days, and it is said that the results were not sweet.
In 1964, I make my debut in "saw and ヨ which are in trouble". "The bean jam camellia acquires the blockbuster that essence of the love" becomes the million seller, the sixth Japan record grand prix, rookie of the year title the same year. The powerful fist mawashi such as the groan called "Setsu Harumi" and the deep vibrate which waved were unique and produced from 40s through 50s many hits of the Showa era, and it was the woman enka ballad singer who represented Japan both in name and in reality.
I declare a sudden singer retirement in 36 years old that popularity, ability was the top together in March, 1984 saying "I want to become a common woman" [3]. I retire myself from "the 35th NHK Red and White Singing Contest" participation of this age once last.
In 1987, I am active as a music producer and reopen. I am in charge of new face woman enka ballad singer Sakura Yamato, produce of Kim ヨンジャ. In 1989, I appear in "Sunday project" (Asahi National Broadcasting) as "representative common woman". I act as a commentator and the reporter of the sports corner, but be involved in news of death of late Hibari Misora at 52 years old these days in June of the year and announce the impressive comment in a program. I decide singer return taking advantage of this. In addition, participate in "the 40th NHK Red and White Singing Contest" of this age; "the bean jam camellia is a song with a flower of the love". It was the full first stage in 5 years, but I show a singing voice not to change before, and, after a retirement, a voice of the return increases still more. In 1990, the following day, I announce the complete return of the singer activity. I come to sing the wide work which is not seized with a conventional enka ballad.
In 2008, I greeted the debut 45th year and performed "three major theater chairperson performances". Kazuyoshi Nakamura who was a partner dies in the private life in the presidents of the private office for many years [4]. In 2009, I returned from "the produce house capital" of the private office to "the SUNMUSIC production" of the old home.
I announce that I stop independent concert activity for one year of 2016, the following day on the tour last day in the Tokyo international forum of the whole country on November 24, 2015 [5].
Episode
Father is a Korean residing in Japan, and mother of Harumi announces this in form in response to an interview in weekly ordinariness in 1969 [6]. But a reaction was big, and coverage rushed, and mother who thought that influence was reflected on work was not interviewed after this [7]. Then the レコ size をとっていのかいうという desegregation busing was a part, and, seven years later, a human being of such a blood relationship was seen when I won record award and was troubled to decline a prize [7]. Hibari Misora who loved the capital calls out to you saying "there was a lot of I hating even me, and do not shrink", and it is said that I encouraged it on this occasion. In addition, criticism gathered in Arida that took up this story to [8] when Yoshifu Arita touched this thing at Twitter because the current capital did not speak this thing and political creed [9].
For being from Kyoto at first with the stage name called "Kyoto Harumi" was going to make the debut, but knew it that there was already a singer of the same name in other companies, and was changed by "Harumi Miyako" [10]; [11].
I become close and, with Yoshifu Arita, do Arida with "a large close friend of Harumi Miyako" taking advantage of coverage of "song shop Harumi Miyako" (1994 publication) of Arida and writing in the official site of the capital [12]. In the case of the death of Kazuyoshi Nakamura, Arita describes Nakamura, "I was a person like the older brother" [13].
"A flower of the love makes a big hit, and, in 相澤秀禎 where I made a manager of Teruhiko Saigo, the bean jam camellia" sees the capital which appeared in record grand prix, and "the mind" that I have not tasted so far feels "an aura", and it is said that I wanted to manage it by all means in those days. I call mother of the capital every night and do it and have approached it, and the capital will belong to "SUNMUSIC" of Aizawa approximately nine years later [2]
I let this make a big hit as a result that I was by mother who was favor of タイヘイトリオ and got close to a songs and ballads naniwabushi recitation show from the childhood period, and "the bean jam camellia was taught on the occasion of the song of the flower of the love" by mother to refer to the lengthy intonation, fist mawashi of the タイヘイ dreamland.
The true younger sister made her debut as a singer with a stage name called "Akemi Nogawa", too, but I am not blessed with hits and retire.
The vibrate that the touch width was narrow finely called "crape vibrate" was mainstream, but, more than head 2 degrees, slightly slow touch width of around 4Hz sang in wide vibrate, and, in the case of an enka ballad, she gave audience a shock until now.
I sang appearance, "a touch" of Yoshimi Iwasaki emotionally with full of Magnolia Kobus as "irregularity Harumi who came" in semifinals of the conte "スマザン boiling" in "SMAP X SMAP" (Kansai TVFuji TV) of the broadcast on March 15, 2010.
Saw and ョ (words: So Nishizawa / composition: Makoto Endo / arrangement: Sanechika Ando) March 10, 1964 release to be troubled with
(I'm sorry only for c/w 10 yen)
The migratory bird (/ composition to write a song, and to do it with Moriyama, and to form: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) August 20, 1964 release that is embarrassed
(c/w pure heart nothing)
The bean jam camellia releases it on essence (words: Tetsuro Hoshino / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) of the love October 5, 1964
(for c/w love ゴザンス port town)
Wandering young dove (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) January 5, 1965 release
(c/w first love camellia and seaman)
It releases it on pilgrimage young dove (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) March 5, 1965
(gull having thick c/w good point)
Bean jam cape (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) March 20, 1965 release
Stupid っちょ departure from port (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) June 20, 1965 release
(c/w good-bye moonlit night)
The clapper dance (words: Eisaku Takemasa / composition: Eisaku Takemasa / arrangement: Shosuke Ichikawa) July 10, 1965 release that has thick good point
Bean jam ship (words: Tetsuya Furuno / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) September 20, 1965 release
(please praise c/w)
Ferry (words: Shinnichi Sekizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) October 5, 1965 release of tears
(c/w maliciousness Platform 3)
Oh, I saw it (words: Shinnichi Sekizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) and am released on January 5, 1966
(town first love daughter of c/w hot water)
Perfectly round leading (words: Toshio Oka / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) February 5, 1966 release
First love apple kid (words: So Nishizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) March 5, 1966 release
(c/w Tokyo news)
It releases it on Itako nursing song (words: Kazunori Aoki / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) May 20, 1966
(c/w Nagasaki diary)
Oldness and leading (words: Takashi Miyata / composition: Masao Koga / arrangement: Sukeharu Ito) May 25, 1966 release
(flower shade ばやし of c/w Harumi)
It releases it on good-bye train (words: Shinnichi Sekizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) June 5, 1966
(tears come for c/w heart with gin)
It releases it (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) from the hometown of the mandarin orange on June 20, 1966
Tokyo migratory bird (words: Daisuke / composition: Daisuke / arrangement: Shosuke Ichikawa) September 20, 1966 release
(c/w Oiwake moonlit night)
The November 1, 1966 release that there are tears in to white birch (words: Shinnichi Sekizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa)
(seaman of c/w Harumi)
The person who wants to meet releases it on bird (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) December 10, 1966 of the sea
I fly and surely come (words: So Nishizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) and release it on January 5, 1967
(c/w woman floating weed)
Waiting second banana Port (words: Shinnichi Sekizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) March 1, 1967 release
(message board of c/w tears)
Mount Fuji ばやし (words: Shinnichi Sekizawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) March 5, 1967 release
Rose (words: Yasuteru Miura / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) July 1, 1968 release of tears
(love only for c/w two)
The person (words: 白鳥朝詠 / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) September 1, 1968 release that I came to like
(I came to the sea of the c/w night)
Love (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) December 15, 1968 release to grieve at fog
(waltz of the c/w ring)
Sedge hat (words: Shosuke Ichikawa / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) April 1, 1969 release of Harumi
(or I knew whether you heard whether you saw c/w)
I have loved you (words: Osamu Yoshioka / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) and release it on July 15, 1969
(c/w さらばでござんす)
ゆうがおの hill (the Sachiko / composition that there is not words: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) November 25, 1969 release
(nursing song of the c/w woman)
The January 25, 1970 release that a hometown grieved at (words: Teruko Fujiwara / composition: Shosuke Ichikawa / arrangement: Mitsuru Kotani)
(the person who let you make c/w solitude)
Wish 〈 road safety leading) (words: Sekine Fumi and / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) March 25, 1970 release of all
Surely surely come again (words: Miyuki Ishimoto / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) and is released on May 10, 1970
(as for c/w you to a trip)
July 10, 1970 release to love it, and to have the honor of being you (words: Osamu Yoshioka / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa)
(c/w man でやんす)
If a man does not love you, it is not a woman (the Sachiko / composition that there is not words: Shosuke Ichikawa / arrangement: Shosuke Ichikawa) and releases it on November 25, 1970
(it carries away c/w back street district guitar)
March 25, 1971 release to love it, and to be like a fool (words: 吉田旺 / composition: Shosuke Ichikawa / arrangement: Shosuke Ichikawa)
(during c/w thought)
Ginkgo castle (words: Ko Fujiura / composition: Masao Koga / arrangement: Makoto Saeki) April 10, 1971 release
I steal a country and release it on leading (words: Miyuki Ishimoto / composition: Masao Koga / arrangement: Makoto Saeki) July 10, 1973
(c/w blue sky banzai)
Shinjuku flow song (/ composition to write a song, and to do it with Moriyama, and to form: Masao Saiki / arrangement: Mitsuru Kotani) July 10, 1973 release
(town of the c/w light makeup)
Red carriage (the Sachiko / composition that there is not words: Shosuke Ichikawa / arrangement: 竜崎孝路) October 25, 1973 release of my heart
(favorite person of c/w me)
It releases it (words: Kazuhiko Yanagisawa / composition: Masaaki Hirao / arrangement: 竜崎孝路) on February 25, 1974 in a misty moonlight night
("gull building" of the port of c/w)
にごりえの town (words: Hiroshi Yokoi / composition: Masaaki Hirao / arrangement: 竜崎孝路) July 1, 1974 release
(day to come back on a chest of c/w you)
Your port (words: Yoko Yamaguchi / composition: Masaaki Hirao / arrangement: 竜崎孝路) December 1, 1974 release
(c/w drift ice)
March 1, 1975 release to have liked (words: in spring autumn and / composition: Shosuke Ichikawa / arrangement: Yasushi Kai sentence)
(c/w gets drunk)
Knob (words: Yu Aku / composition: Beach Keisuke / arrangement: Mitsuru Kotani) May 25, 1975 release not to be able to see
(full of c/w bridges)
It releases it on crying and laughing (words: Keisuke Yamakawa / composition: Masatoshi Nakamura / arrangement: Mitsuo Hagita) November 25, 1975
(c/w さらば migratory bird)
It is released [14] (words: Yu Aku / composition: Asei Kobayashi / arrangement: Jiro Takemura) on December 1, 1975 by a north hotel
(c/w-like rumor)
Mere one (words: ふかせかずを / composition: Daizaburo Nakayama / arrangement: 若草恵) July 1, 1976 release
(port town of the c/w rain)
It releases it on shelter (words: Yu Aku / composition: Asei Kobayashi / arrangement: Jiro Takemura) January 1, 1977
Night Hakata releases it on town (words: Osamu Yoshioka / composition: Shosuke Ichikawa / arrangement: Tsuneo Saito) September 1, 1981 of the love
(hesitation at the bridge of the c/w rain)
It is release Shosuke Ichikawa / arrangement Osamu Yoshioka / composition Tadashi Miyazaki [15] 〉( words Osaka 〈 Duet of two on Tsuneo Saito) September 1, 1981
(c/w Takamatsu nocturne)
Hotel (words: Osamu Yoshioka / composition: Shosuke Ichikawa / arrangement: Tsuneo Saito) September 1, 1981 release of the Michinoku wind
(c/w good-bye Hakodate)
Night (words: Osamu Yoshioka / composition: Shosuke Ichikawa / arrangement: Tsuneo Saito) November 1, 1981 release of Kanazawa
(and c/w gets wet Nagarekawa)
It is release on a day old stager bird (words: Masae Oshima / composition: Shosuke Ichikawa / arrangement: Tsuneo Saito) November, 1981
(c/w girlishness)
Tokyo serenade (words: Takashi Taka / composition: Asei Kobayashi / arrangement: Hiroshi Takada) April 1, 1982 release
(in a row of trees of the c/w love silver rain)
It releases it (words: Takashi Taka / composition: Shosuke Ichikawa / arrangement: Kensuke Kyou) on January 1, 1983 at the back street district time
(c/w Shinjuku Strait)
Namihana is in love, and go wrong; is release Chiaki Oka / arrangement Takashi Taka / composition Chiaki Oka 〉( words 〈 Duet on Tsuneo Saito) May 21, 1983
(destined river 〈 Duet of the c/w love: Hiroshi Tokuhisa 〉)
It is release Shosuke Ichikawa / arrangement Takashi Taka / composition edge field Tadaaki 〉( words 〈 Duet of Sapporo two people on Tsuneo Saito) May 21, 1983
It is release Yasushi Nakamura / arrangement Osamu Yoshioka / composition Shigeru Kajiwara, Kobayashi Giraud 〉( words dangerous 〈 Duet concerned on Hiroshi Takada) May 21, 1983
(c/w Yokosuka last knight 〈 Duet: Yasushi Nakamura 〉)
Dotombori River (words: Takashi Taka / composition: Chiaki Oka / arrangement: Tsuneo Saito) February 21, 1984 release
(c/w Soji excellent poem)
Migratory bird humanity and justice (words: Takashi Taka / composition: Shosuke Ichikawa / arrangement: Tsuneo Saito) July 1, 1984 release
(mother ... to send station - taking the field soldier of the c/w winter)
Couple Hill (words: Tetsuro Hoshino / composition: Shosuke Ichikawa / arrangement: Tsuneo Saito) September 30, 1984 release
(mother of the c/w North Sea)
It is release Hiroshi Itsuki / arrangement Osamu Yoshioka / composition Hiroshi Itsuki 〉( words love song 〈 Duet of two on Tsuneo Saito) December 12, 1984
It is release Tetsuya Gen / arrangement Osamu Yoshioka / composition Harumi Miyako 〉( words Otaru canal 〈 plan, an original bill on Nobuyuki Sakuraba) return single June 27, 1990
(ancient city 〈 plan, original bill of c/w 1,000 years: Harumi Miyako 〉)
BIRTHDAY (words: Yoko Aki / composition: Ryudo Uzaki / arrangement: Nobuyuki Sakuraba) February 21, 1991 release
(c/w ORIENTAL MOON)
As for the love, flower, you release the seed [16] (words: AMANDA/ composition: AMANDA/ arrangement: Masaru Hoshi) on July 1, 1991
(person 〈 live version 〉 that it became the c/wphilia)
Because the dream is enough (words: Shinji Tanimura / composition: Shinji Tanimura / arrangement: Nobuyuki Sakuraba), it releases it on October 1, 1991
(and c/w tears overflow)
It releases it on thought (words: Morishita apple, Yoshimasa Inoue / composition: Yoshimasa Inoue / arrangement: Nobuyuki Sakuraba) on October 1, 1991
(the person whom the c/w first wants to meet)
Requiem (words: Teruyuki Sakaguchi / composition: Juichi Sase / arrangement: Nobuyuki Sakuraba) October 1, 1991 release to the bird which cannot fly
(c/w future airship)
つくしんぼ (words: Kaoru Mizuki / composition: Shosuke Ichikawa / arrangement: in Yamada year in autumn) April 1, 1992 release
(c/w celestial maiden legend)
The March 1, 1993 release that wants to walk your neighbor (words: Teruyuki Sakaguchi / composition: Takashi Miki / arrangement: Nobuyuki Sakuraba)
(I write c/w wandering)
Cherry tree autumn shower (words: Tetsuro Hoshino / composition: Shosuke Ichikawa / arrangement: Toshiaki Maeda) September 21, 1993 release
(the c/w palpitation)
It releases it on ancient city stroll (words: Takashi Taka / composition: Tetsuya Gen / arrangement: Nobuyuki Sakuraba) April 19, 1994
(the flower that c/w is red)
Revolt (words: Yoko Aki / composition: Shigeaki Saegusa / arrangement: Senju light) August 1, 1994 release of the flower
(revolt 〈 popular version 〉 of the c/w flower)
The person (words: Shun Taguchi / composition: Tetsuro Oda / arrangement: Nobuyuki Sakuraba) August 1, 1994 release that I want to encounter most
(on c/w thought)
Sleeping in the open air (words: 吉田旺 / composition: Hiroshi Tokuhisa / arrangement: Toshiaki Maeda) March 21, 1995 release
(and c/w Festival is over, and a day goes down)
It releases it a hometown (words: Toyohisa Araki / composition: Beach Keisuke / arrangement: Eiji Kawamura) on February 21, 1996
(city 〈 Duet of c/w stars: Toyohisa Araki 〉)
Dreaming on my life (words: Shun Taguchi / composition: Juichi Sase / arrangement: Nobuyuki Sakuraba) August 21, 1996 release
(c/w future airship)
It releases it once again (words: Yoshio Sato / composition: Juichi Sase / arrangement: Nobuyuki Sakuraba) on October 4, 1996
(c/w Asia legend)
Dream and illusion のえれじい (words: Osamu Yoshioka / composition: Shosuke Ichikawa / arrangement: Toshiaki Maeda) April 19, 1997 release
(I want to see c/w you)
Hotel (words: Teruyuki Sakaguchi / composition: 南郷孝 / arrangement: Nobuyuki Sakuraba) October 1, 1997 release of the straits
(c/w-like sentence)
Evil faith (words: Motoko Michiura / composition: Tetsuya Gen / arrangement: Nobuyuki Sakuraba) March 21, 1998 release
I it in NHK Red and White Singing Contest participation career
It is appeared for the first time in the 16th in 1965 of the debut second year by NHK Red and White Singing Contest. After that I played 20 times of continuations until a retirement by the NHK Red and White Singing Contest in the 35th in 1984. Meanwhile, I shot the seat of the Red Branch bird (large bird) which became the standing unrivaled of Hibari Misora and Chiyoko Shimakura backed by the blockbuster from "a north hotel" till then in 1976 dead by the twelfth participation for the first time.
I return to singer business triggered by what appeared to the 40th in 1989 in earnest, and I participated in red and white for 9 consecutive years afterwards, but the 48th NHK Red and White Singing Contest in 1997 of the 29th participation is the last red and white participation in total. I never participate after having declined it in 1998, the following day saying "I want to graduate from red and white". But the metropolis was real "defeat", but there is the opinion which became the form with "refusal" for consideration on the program side [17].
Although I did not reach it for realization, I was arrested to a candidate of the Red Branch chairmanship without several degrees.
I received advice, "you should withdraw red-and-white graduation" from Itsuki at the place of the joint concert with Hiroshi Itsuki who was the synchronization that I held on September 8, 2011, and there were the exchanges to return which "I always see red and white" saying "I already graduated" (red and white of this age did not have the participation either).
Of the singer name of the opponent (there is the number in) next to the play number of times with the singer, the bird of remarks, and () expresses the number of times that acted as birds.
The bird refers to having acted as the completion of both militaries in the first half of the game (until news interruption) in red and white after 1989 when two part system were adopted in the first half.
Eyes) expresses the number of times shown with red and white in (○ time after the title of a musical composition.
The order of appearance expresses it "(order of appearance) in /" (the number of the participants).
I quoted famous words at the time of the ^Candies dissolution, but, not a remark of capital oneself, am the line that a reporter spoke by the interview with the capital.
Because I sing, and a melody of the soup stock suggests "the piano concerto first" of Chopin, ^ is famous. I got the Oricon first place and won the 18th Japan record award.
^Tadashi Miyazaki (and a group conducting the religious service came from January 22, 1944 to September 13, 2009) is a composer, a singer. The metropolis was a couple, but gets a divorce in 1982. I was active in the name of 朝月廣臣 later.
The ^Michito Goda "truth of the Red and White Singing Contest"
It was the stage of the ^retirement and it was originally only one piece of the couple Hill, but sang songs in "the people whom I came to like" in a hurry because an encore happened.
^arranged "the person whom I came to like" into lock-like
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